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My typical subjects can be tough to capture. Read as: horrible, ever-changing lighting, split-second composition and exposure decisions, constantly getting jostled by the people around you and subjects that never stop moving. Try taking live concert photos without flash, and patience takes on a whole new meaning.
~If everybody you knew jumped off a bridge...the bodies would pile high enough to break your fall if you jumped after them.~
Minolta Maxxum 5D DSLR
Minolta 50mm f/1.4 prime
Sigma 24-70mm f/2.8 EX zoom
SanDisk Extreme III 4GB Compact Flash
Spare battery
I have more camera equipment than most people would reasonably want to spend money on. If I had put all of that money toward a car, let's just say I wouldn't be driving a near-stocker. I'm in for about $3G's each in camera equipment and lighting. I did a shoot for the car last night, but I've been having some trouble getting photos off the card lately, so it may take me a few days to get them uploaded. When I do, I'll post the best ones from the series. I'm pretty proud of how some of them came out.
~If everybody you knew jumped off a bridge...the bodies would pile high enough to break your fall if you jumped after them.~
^ wanna see some of your work, other than what you just posted. most of them are noisy and not to crisp, however #5 on your 1st post is really nice. i myself have spent over $2g on my stuff
really nice pics Camurai. i especially like the black and white ones. you did a pretty good job overall. i bet the prime lense came in really handy letting you open the aperture really wide and use a faster shuter speed. i actually dont mind the noise in the pics. it is not that evident and if he used flash the pic would loose the feel of the concert thats provided by the stage lights. i dont want to say impossible but its pretty damn hard t take a noise free crisp pic with no flash at a concert when nothing sits still.
i been shooting concert stuff lately and i am highly impressed with ur work bro.... i know how hard it can be ill try and get a few shots up in a few minutes....
Minolta Maxxum 5D DSLR
Minolta 50mm f/1.4 prime
Sigma 24-70mm f/2.8 EX zoom
SanDisk Extreme III 4GB Compact Flash
Spare battery
I have more camera equipment than most people would reasonably want to spend money on. If I had put all of that money toward a car, let's just say I wouldn't be driving a near-stocker. I'm in for about $3G's each in camera equipment and lighting. I did a shoot for the car last night, but I've been having some trouble getting photos off the card lately, so it may take me a few days to get them uploaded. When I do, I'll post the best ones from the series. I'm pretty proud of how some of them came out.
Wow, I am so happy that someone is using a Minolta system.
JSpec, that photo is well composed, great depth of field, excellent atmosphere, and the subjects have a lot of interest to them. Like any good photo, it tells a story and makes you want to know more.
Ronald...simply an awesome photo my man!
nghtrydr23, it's tough to get a really sharp shot in that kind of lighting unless you're using gear that costs about 4 times what I spent. I'm currently making do with what I have. A really tack sharp f/2.8 zoom and a pro-spec body would be great, but I'm a broke bastard, so I have to make do with a Sigma zoom and an amateur level body. I may be able to afford a better body one of these days. (If I can ever stop spending money on the car! =oP)
bowzil, I'm a Minolta lover to the core! My first "real" camera was a Minolta X700, and I remember my mother always carrying around an XD11 when I was a kid. Minoltas always seem to be a lot more user-friendly than most of the other systems.
Minolta Maxxum AF equipment
Minolta Maxxum 5D digital SLR
Minolta Maxxum 500si film SLR
Minolta Program 2500D flash
Minolta Maxxum AF 50mm f/1.4 prime
Minolta Maxxum 18-50mm f/3.-4.5 AF/DT zoom
Sigma 24-70mm f/2.8 EX zoom
Sigma 70-210mm f/3.5-4.5 APO zoom
Minolta X-series MF equipment
Minolta X-700 film SLR
Minolta MD-1 motor drive
Minolta Auto 320X flash
Minolta MD 50mm f/1.7 prime
Minolta MD Rokkor-X 50mm f/1.4 prime
Beck 35mm f/2.8 prime
Tokina AT-X 24-40mm f/2.8 zoom
Tokina AT-X 80-200mm f/2.8 SD zoom w/ macro extender
Vivitar 28mm f/2.5 prime
Vivitar 28-50mm f/3.5-4.5 zoom
Vivitar Series 1 28-90mm f/2.8-3.5 zoom
Vivitar 2X macro focusing teleconverter
Seikanon HQ-7 2X auto teleconverter
Lighting equipment
White Lightning X1600 monolight
Alien Bees B800 monolight (X2)
Bogen-Manfrotto Heavy-Duty Tripod
WF Studio Systems Tripod
WF Studio Systems Monopod
WF Studio Systems 27" Backlight Stand
WF Studio Systems 42" Dual-Stud Backlight Stand
Dynatran 9'2" Heavy-Duty Air-Cushioned Light Stand
Light Gear USA Boom Arm Attachment
Light Gear USA 13' Heavy-Duty Air-Cushioned Stand
Light Gear USA 10' General-Purpose Light Stand
Light Gear USA Reflector Mounting Bracket
Light Gear USA 32" White/Silver Reversible Umbrella
Generic 40" Silver Umbrella (2)
Fotodiox 46" Octagonal Softbox
Dynaphos 14x56" ProfileElite Strip Softbox
Dynaphos 36x48" Softbox
Dynaphos 7' Octalume Octagonal Lightbank
Generic 40x60" 5-in-1 Reflector
White Lightning Radio Remote One
White Lightning Radio Receiver One
Gossen Ultra Pro light meter
Light Gear USA Vagabond 150 portable power system
Plus miscellaneous filters, spare batteries, memory cards and readers, gewgaws, etc. I lost track of how much miscellaneous stuff I've bought awhile ago. Now if I just had a computer that worked right, I'd be set.
Just as an aside, softboxes always seem to be a compromise. The Fotodiox box has high build quality, but it's a serious pain in the ass to put it together. The Dynaphos softboxes, on the other hand, are very easy to set up, but the quality for the most part is not that good. The 36x48" box in particular is absolute crap. The reflective lining was peeling before I ever received it, and it just feels flimsy. The 7' Octalume is much better, but because of its sheer size, it's a pain to assemble. I'm thinking about the new Light Gear USA foldable boxes, but I'd like to check one out before I buy it.
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